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DISABILITY AS SPECTACLE examines multiple and shifting aspects of visibility and performance. People with disabilities have been, and continue, to be made a spectacle often put on display to evoke fear and pity, or forced to be the center of attention completing quotidian tasks. SPECTACLE, however, has also been used as a tactic for social change, used to disrupt everyday life to demand attention to critical issues. New forms of media and technology has also increased how people with disabilities represent themselves and the ways in which they share their life experience. As such this conference aims to share these complex and dynamic ideas, in theory and practice, with artists, practitioners, students, and scholars.
ROSEMARIE GARLAND-THOMSON, Professor of English & Bioethics at Emory University
DJ KURS, Artistic Director for Deaf West Theatre
KAREN NAKAMURA, Robert and Colleen Haas Distinguished Chair in Disability Studies and Professor of Anthropology at the University of California, Berkeley
Theme: Disability as Spectacle
Disability is experiencing a new wave of visibility in popular culture from autobiographies and parent memoirs on disability to characters with disabilities in film and television to new inclusive initiatives in the areas of art and dance. The examples are numerous: Dancing with the Stars recently featured a veteran amputee, a major motion picture, Kingsman, featured a disabled woman as a central figure, double amputee and fashion supermodel, Aimee Mullins, continues to grace the pages of popular fashion magazines like Elle, Vogue, and Bazaar, and of course the inclusion of disabled athletes, like South African Olympic swimmer Natalie du Toit and NFL player Derrick Coleman, in amateur and professional sports have brought further attention to the achievements and life experiences of people with disabilities.
This new visibility raises important questions about how disability is depicted in mass media and which disabilities are excluded or rendered invisible in this new cultural landscape. Does our current moment’s heightened awareness of disability produce benefits or disadvantages in other social, political, or economic spheres? The film and television industry’s central role in disability’s changing status makes Los Angeles the ideal location to reflect upon disability as spectacle.
The conference theme encourages scholars and audience members to think critically about disability’s new visibility and invites them to share ideas about the future of disability rights and Disability Studies as this historically marginalized community continues to make advances in mainstream culture. The conference may cover such important topics as:
- Intersection of disability and new media
- Visible versus invisible disability in TV and film
- Disability narrative as literary genre
- Critique of the contemporary ‘freak show’
- Inclusive/exclusive forms of public art
- Role of technology in facilitating visibility and invisibility
- Theorizing new forms of ‘seeing’ disability
- The spectacle of the ‘super crip’
- Examining dynamics of ‘the gaze’ or ‘the stare’ when disability meets dance and performance art
- July 15, 2016: DEADLINE for Abstracts (Email abstract to email@example.com)
- September 1, 2016: Conference participants notified of proposal status
- November 1, 2016: Conference registration opens
All conference presenters must register by November 15, 2016.
- April 13-14, 2017: Conference in Los Angeles
Celebrating 10 Years of Disability Studies at UCLA
Join us at the conference as we celebrate the 10th anniversary of the UCLA Disability Studies program. Our Anniversary Edition Newsletter highlights our journey over the last decade and our vision moving forward.